The Small Indian Squirrel, on a Branch of the Tamarind-Tree, representing the Blossom and pods of ripe Fruit; all of the natural size. J. Forbes 1768
1768
Archival
83502
Forbes, James, 1749–1819
The small round Chily, or Capsicum. J. Forbes
redrawn between 1794 and 1800
Archival
83503
The Smithsonian Journal of History, Vol 1, "The Art Historian and the Computer; An Analysis of Copley's Patronage 1753-1774" (journal essay)
1966
Archival
83504
Forbes, James, 1749–1819
The Snake-Bird of Guzerat. J. Forbes 1772
1772
Archival
83505
Forbes, James, 1749–1819
The Snake-Plant, on the Coast of Malabar. J. Forbes 1772
1772
Archival
83506
The Society for the Encouragement of the Arts. Barry pinxt. J. Mitan sculp.
undated
Archival
83507
Paul Mellon Centre for Studies in British Art
The Society of Dilettanti: Archaeology and Identity in the British Enlightenment, by Jason M. Kelly
2010
Archival
83508
Paul Mellon Centre for Studies in British Art
The Spectacle of Difference: Graphic Satire in the Age of Hogarth, by Mark Hallett
1999
Archival
83509
The Spectator. Vol. 267, no 8528 (December 21/28, 1991).
1991
Archival
83510
Forbes, James, 1749–1819
The Spoon-bill, of Guzerat; much smaller than the Life. J. Forbes 1779
1779
Archival
83511
Forbes, James, 1749–1819
The Spotted Halcyon, or Black & White King-fisher at Fort-Victoria. J. Forbes 1771
text added between 1794 and 1800
Archival
83512
Forbes, James, 1749–1819
The Spotted-Locust, and other Insects at Bombay, with the Purple, White and Yellow Gul-Dowdee Flowers. J. Forbes 1769
1769
Archival
83513
Forbes, James, 1749–1819
The Spur-winged Water-Hen, on the Dahder-River; with the Green Mantis, or Soothsayer. J. Forbes 1775
1775
Archival
83514
The Stained Glass of William Morris and His Circle, edited by A. Charles Sewter, 1974
1966 2018
Archival
83515
Forbes, James, 1749–1819
The Stinking Wood at Tellicherry. J. Forbes
redrawn between 1794 and 1800
Archival
83516
Forbes, James, 1749–1819
The Storm-Finch, called by the Sailors Mother Carcy's Chickens. Drawn of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
83517
Shirley Smith, Richard
The Story of the Venetian Villas. London: Visual Publications, 1973.
1973
Archival
83518
Paul Mellon Centre for Studies in British Art
The Stranger from Paradise: A biography of William Blake, by Gerald Eades Bentley
2001
Archival
83519
The Substance or the Shadow: Images of Victorian Womanhood
1982-04-14 1982-06-13
Archival
83520
The Substance or the Shadow: Images of Victorian Womanhood, by Susan P. Casteras
1982
Archival
83521
Forbes, James, 1749–1819
The Sultana or Hoopoo, at Bombay, on a Sprig of the Citron Tree. J. Forbes 1769
1769
Archival
83522
Forbes, James, 1749–1819
The Swallow-tail Hawk, of South America. Accipiter, Cauda furcata. J. Forbes 1765
1765
Archival
83523
Forbes, James, 1749–1819
The Sweet Potatoe. J. Forbes
redrawn between 1794 and 1800
Archival
83524
Forbes, James, 1749–1819
The Sya-goosh, an Animal trained by the Moguls for the hunting of Antelopes, and other game. J. Forbes 1772
1772
Archival
83525
Paul Mellon Centre for Studies in British Art
The Synagogues of Britain and Ireland: an Architecture and Social History, by Sharman Kadish
2011
Archival
83526
The Temple of Apollo Epicurius at Bassae
undated
Archival
83527
Kociejowski, Marius
The Testament of Charlotte B. Marlborough, Wiltshire: Libanus Press, 1988.
1988
Archival
83528
The Thames. Barry pinxt. Clint sc.
undated
Archival
83529
The Thirties in Britain: Concert and Symposium
1986-02-28 1986-03-01
Archival
83530
Forbes, James, 1749–1819
The Thornback, at Tellicherry. J. Forbes 1772
1772
Archival
83531
The Three Musketeers : drawing of a male with his right hand on his hip
circa 1886-1897
Archival
83532
The Three Musketeers : drawing of a swordfight
circa 1886-1897
Archival
83533
The Three Musketeers : drawing of Cardinal Richelieu and a kneeling female
circa 1886-1897
Archival
83534
The Three Musketeers : drawings of a male and a female
circa 1886-1897
Archival
83535
The Three Musketeers : drawings of a male with a cloak and hat
circa 1886-1897
Archival
83536
The Three Musketeers : drawings of a male with a hat on his knee
circa 1886-1897
Archival
83537
The Three Musketeers : drawings of a swordsman and Queen Anne
circa 1886-1897
Archival
83538
The Three Musketeers : drawings of a swordsman
circa 1886-1897
Archival
83539
The Three Musketeers : drawings of a swordsman in various poses and a female
circa 1886-1897
Archival
83540
The Three Musketeers : drawings of Cardinal Richelieu and various males
circa 1886-1897
Archival
83541
The Three Musketeers : drawings of Porthos
circa 1886-1897
Archival
83542
The Three Musketeers : drawings of the Cardinal and a female kneeling before him
circa 1886-1897
Archival
83543
The Three Musketeers : drawings of the Cardinal, the Cardinal on a settee, and a female
circa 1886-1897
Archival
83544
The Three Musketeers : drawings of the Queen, Musketeers, and others
circa 1886-1897
Archival
83545
Forbes, James, 1749–1819
The Tobacco-Plant, and Golden Tortoise-Fly, in Guzerat: drawn from Nature. J. Forbes. 1778
1778
Archival
83546
The Toledo Museum of Art European Paintings
1976
Archival
83547
Forbes, James, 1749–1819
The Tombsin the Dutch Burying Ground at Surat; taken from the Pavilion in the Armenian Gardens. J. Forbes 1772
1772
Archival
83548
Forbes, James, 1749–1819
The Toohtee, of the natural size and plumage, with another kind of Vegetable Soap, called Omlah; used at Surat for washing Shauls, & rich Embroideries. J. Forbes 1772
1772
Archival
83549
Forbes, James, 1749–1819
The top of the Mandioka or Cassava, in South America; of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
83550
Forbes, James, 1749–1819
The Top of the Sugar-Cane, J. Forbes
1778?
Archival
83551
Paul Mellon Centre for Studies in British Art
The Tory View of Landscape, by Nigel Everett
1994
Archival
83552
Shirley Smith, Richard
"The tower of boxes" (from a Persian folk tale)
1960s?
Archival
83553
Shirley Smith, Richard
"The tower of boxes": slides of collages.
1960s?
Archival
83554
Paul Mellon Centre for Studies in British Art
The Town House in Georgian London, by Rachel Stewart
2009
Archival
83555
Shirley Smith, Richard
The Traveller, Point of Departure, Artist's Proof
1961
Archival
83556
Forbes, James, 1749–1819
The Tree-Frog, or Flying-Frog, on the Malabar Coast. J. Forbes 1772
redrawn between 1794 and 1800
Archival
83557
Reynolds, Ernest Edwin, 1894–
The Trial of St. Thomas More. London: Burns & Oates, Ltd., 1964.
1964
Archival
83558
Forbes, James, 1749–1819
The Trumpet-Fish, at St. Helena. Drawn much smaller than Nature. J. Forbes 1784
1784
Archival
83559
Paul Mellon Centre for Studies in British Art
The Tudor House and Garden: Architecture and Landscape in the Sixteenth and Early Seventeenth Centuries, by Paula Henderson
2005
Archival
83560
Forbes, James, 1749–1819
The Tufted Fly-catcher, & Golden Icterus, at Anjengo, with a Fruit called the Wild Olive, common in the woods, on the Malabar Coast. J. Forbes 1772
1772
Archival
83561
Forbes, James, 1749–1819
The Tufted Humming-Bird, mentioned in the preceding Letter,on a branch of the Orange Tree; of the natural size. J. Forbes 1765
redrawn between 1794 and 1800
Archival
83562
Forbes, James, 1749–1819
The Tufted Minah; on a Sprig of the Bernah Tree. J. Forbes 1778
1778
Archival
83563
Daly’s Theatre (London, England)
The Two Gentlemen of Verona : playbill for the Daly's Theatre production
1895 July 5
Archival
83564
Paul Mellon Centre for Studies in British Art
The Tyranny of Taste: The Politics of Architecture and Design in Britain, 1550-1960, by Jules Lubbock
1995
Archival
83565
Forbes, James, 1749–1819
The double Indian Pink, with a selection of Chinese Butterflies. J. Forbes
1769?
Archival
83566
Forbes, James, 1749–1819
the double Japan Rose, or Shoe-Flower. J. Forbes
redrawn between 1794 and 1800
Archival
83567
Forbes, James, 1749–1819
The double Mogree, or Arabian Jessamin, a peculiar favorite of the Hindoos. J. Forbes
redrawn between 1794 and 1800
Archival
83568
Forbes, James, 1749–1819
The Double Oleander, at Bombay; with the large Hog-Caterpillar. J. Forbes, 1769
1769
Archival
83569
Forbes, James, 1749–1819
The Double Red Oleander; one of the most fragrant and beautiful Flowers in Hindostan. J. Forbes
redrawn between 1794 and 1800
Archival
83570
Forbes, James, 1749–1819
The Double White Oleander. J. Forbes
text added between 1794 and 1800
Archival
83571
Forbes, James, 1749–1819
The Draco, or Flying-Lizard, on the Coast of Malabar: J. Forbes 1772
redrawn between 1794 and 1800
Archival
83572
The Drawings of Sir Jeffry Wyatville
1985-11-12 1986-01-05
Archival
83573
The Drawings of Thomas Gainsborough (Vol. I) by John Hayes
1971
Archival
83574
The Drawings of Thomas Gainsborough (Vol. II) by John Hayes
1971
Archival
83575
The Drawings of Thomas Rowlandson in the Paul Mellon Collection, by John Baskett and Dudley Snelgrove: book
1978
Archival
83576
Forbes, James, 1749–1819
The Dress of the common Dutch Inhabitants at Cochin. The man is represented with a Cochin, or swelled Leg, as mentioned in the preceding Letter. J. Forbes 1772
1772
Archival
83577
Paul Mellon Centre for Studies in British Art
The Duchess's Shells: Natural History Collecting in the Age of Cook's Voyages, by Beth Fowkes Tobin
2014
Archival
83578
Forbes, James, 1749–1819
The Dwarf Orange, at Tellicherry; of the natural size. This Fruit was introduced into Hindostan from China. J. Forbes 1772
1772
Archival
83579
Forbes, James, 1749–1819
The Dyal or Dominican Bird, With the Fruit called the Carombola; of the natural size. J. Forbes 1767
1767
Archival
83580
The Early Georgian Landscape Garden, by Kimerly Rorschach
1983
Archival
83581
Morris, Thomas, approximately 1750–approximately 1811
The East End of the Fort of Mongheer
late 18th century?
Archival
83582
Forbes, James, 1749–1819
The East Gate at Dhuboy, called by way of eminence the Gate of Diamonds. J. Forbes, 1780
text added between 1794 and 1800
Archival
83583
Virgil
The Eclogues. Translated by James Michie. Introduction by Gilbert Highet. Decorations by Richard Shirley Smith. London: The Folio Society, 2000.
2000
Archival
83584
The Edmund J. and Suzanne McCormick Collection, by Susan P. Casteras
1984
Archival
83585
Paul Mellon Centre for Studies in British Art
The Edwardian Sense: Art, Design and Performance in Britain 1901-191, ed. Morna O'Neill and Michael Hatt
2010
Archival
83586
The Eighteenth-Century Church in Britain, by Terry Friedman
2011
Archival
83587
The eighth wonder of the world here in London : Thames Barrier
circa 1990
Archival
83588
Forbes, James, 1749–1819
The Elephant, in a state of nature. J. Forbes 1775
1775
Archival
83589
Forbes, James, 1749–1819
The Elk, in the western parts of Hindostan. J. Forbes
redrawn between 1794 and 1800
Archival
83590
Smith, Sam, 1908–1983
The end of the day on the beach
1970s
Archival
83591
Shirley Smith, Richard
The End, Point of Departure, Artist's Proof
1961
Archival
83592
Paul Mellon Centre for Studies in British Art
The English Castle 1066-1650, by John Goodall
2011
Archival
83593
Barlow, Frank
The English Church 1000 to 1060 A Constitutional History. London: Longmans, Green and Company, Ltd., 1963.
1963
Archival
83594
The English Episcopal Portrait 1559-1835 by John Ingamells
1981
Archival
83595
The English Icon: Elizabethan & Jacobean Portraiture, Roy Strong
1969
Archival
83596
The English Miniature
1981-12-16 1982-02-14
Archival
83597
The English Miniature / John Murdoch, Jim Murrell, Patrick J. Noon, Roy Strong
1981
Archival
83598
The English Prize: The Capture of the “Westmorland,” an Episode of the Grand Tour
2012-10-04 2013-01-13
Archival
83599
The English Prize: The Capture of Westmorland An Episode of the Grand Tour, Edited by Maria Dolores Sanchez-Jauregui and Scott Wilcox
2012
Archival
83600
Forbes, James, 1749–1819
The Entrance of the Grand Excavation, or principal Temple at Salsette, as it first appears to the astonished Spectator on attaining the height of the Mountain, from whence it is hewn! J. Forbes 1775